The Kitāb Club with Maria
Featured Book
When We Were Arabs A Jewish Family's Forgotten History
The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity
Winner of the 2020 Arab American Book Award for nonfiction and one of NPR's best books of 2019, When We Were Arabs is a gorgeous family memoir and "a powerful exploration of Arab Jewish identity" (The New Arab) that brings the world of Jewish Arab writer and artist Massoud Hayoun's parents and grandparents alive, vividly shattering our contemporary understanding of what makes an Arab and what makes a Jew.
There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, and Arabness was a mark of cosmopolitanism, of intellectualism. That was before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and left unemployed on the margins of society.
In this moving book, Oscar's son, Massoud, raised in Los Angeles, finds his own voice by telling his family's story. Named one of the most inspiring Arab writers of 2020, Hayoun seeks to reclaim a worldly, nuanced Arab identity as part of the larger project to recall a time before ethnic identity was mangled for political ends. "An intriguing read for anyone interested in furthering their understanding of complex identities and mixed cultural heritage" (Jewish News), When We Were Arabs is also a journey deep into a lost age of sophisticated innocence in the Arab world, an age that is now nearly lost.
About This Event
Kitāb (کتاب) : an Arabic word meaning book. Join Maria's Kitāb club -- a space for Arab texts -- fiction and nonfiction -- to be savored, and dissected. We'll treat the books like a shared feast: everyone brings something (thoughts, opinions etc) and nothing's off the table. Come hungry!!
This month we'll discuss Massoud Hayoun's vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles, in which he reclaims his family's Jewish Arab identity, When We Were Arabs: A Jewish Family's Forgotten History.
Winner of the 2020 Arab American Book Award for nonfiction and one of NPR's best books of 2019, When We Were Arabs is a gorgeous family memoir and "a powerful exploration of Arab Jewish identity" (The New Arab) that brings the world of Jewish Arab writer and artist Massoud Hayoun's parents and grandparents alive, vividly shattering our contemporary understanding of what makes an Arab and what makes a Jew.
There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, and Arabness was a mark of cosmopolitanism, of intellectualism. That was before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and left unemployed on the margins of society.
In this moving book, Oscar's son, Massoud, raised in Los Angeles, finds his own voice by telling his family's story. Named one of the most inspiring Arab writers of 2020, Hayoun seeks to reclaim a worldly, nuanced Arab identity as part of the larger project to recall a time before ethnic identity was mangled for political ends. "An intriguing read for anyone interested in furthering their understanding of complex identities and mixed cultural heritage" (Jewish News), When We Were Arabs is also a journey deep into a lost age of sophisticated innocence in the Arab world, an age that is now nearly lost.
Contact Genay, at bookclubs@mcnallyjackson.com with any questions.
About the Venue
McNally Jackson · Downtown Brooklyn
This Downtown Brooklyn location is the second McNally Jackson in Brooklyn. Opening in 2020, it occupies two stores of City Point and features an extensive selection of fiction, nonfiction, children’s books, rare books, and stationery.
Visit store pageMore at McNally Jackson · Downtown Brooklyn
McNally Editions Book Club with Rebecca
Are you overwhelmed by the pressure to keep up with the continuous barrage of new book releases? Are you interested in reading beyond the margins of today’s contemporary literary discourse? Do you want to inject a bit of surprise and intrigue into your reading life? Our club is centered around books that have been largely forgotten, the reissued classics and rare finds that have slipped from the mainstream and are waiting to be discovered by a new set of readers. This month we'll discuss Manuel Puig's startling anatomy of a small town in thrall to its own petty lusts, betrayals, scandals, thefts, and gossip--but most of all, to the movies, Betrayed by Rita Hayworth, translated by Suzanne Jill Levine. "An intimate look at the maids, stifled housewives, and would-be gangsters living on the outskirts of Buenos Aires during the country’s period of political transformation from 1933 to 1948 . . . Luminous . . . A pop art classic."— Publishers Weekly "For many people—and certainly for Puig as a boy in small-town Argentina—the first and most absorbing form of storytelling is gossip: tales (almost always told by women) about romances and breakups, scandals and humiliations. There is an endless fascination in parsing other people’s lives, comparing them to ours, rendering judgment and imagining how our own lives might be judged. In Betrayed by Rita Hayworth, Puig captures the human inclination to peer and weigh and compare, while taking advantage of that same inclination in his readers . . . [It is] perhaps his most lyrical novel."— Natasha Wimmer When it appeared in 1968, Manuel Puig’s debut—a portrait of the artist as a child in small-town Argentina—was hailed as revolutionary. Borrowing from the language of "true romance" and movie magazines, the techniques of American modernism, and Hollywood montage, Puig created an exuberant queer aesthetic while also celebrating the secret lives of women. Hanging on the conversations of his mother, friends, and neighbors, Puig's stand-in Toto pieces together stories as full of passion, desire, and revenge as anything dreamed up for the silver screen. “A screamingly funny book, with scenes of such utter bathos that only a student of final reels such as Puig could possibly have verbally recreated for us” (Alexander Coleman, New York Times), it is also a bittersweet love letter to the golden age of Hollywood. Contact Genay, at bookclubs@mcnallyjackson.com with any questions.
The Kitāb Club with Maria
Kitāb (کتاب) : an Arabic word meaning book. Join Maria's Kitāb club -- a space for Arab texts -- fiction and nonfiction -- to be savored, and dissected. We'll treat the books like a shared feast: everyone brings something (thoughts, opinions etc) and nothing's off the table. Come hungry!! This month we'll discuss Alexa Yasemin Brahme's novel about a young artist who struggles to find her way in New York City while navigating strained relationships, the reappearance of an ex, and her burgeoning sense of self, Good News. “Good News is a book for anyone who has ever felt torn between ambition and self-doubt, the pressure to meet others’ expectations and the thrill of following their own wildest desires into an uncharted future. I devoured this thoughtful, sexy, compelling story of a young artist determined to make something great of her art and herself.”—Naima Coster, NYT-bestselling author of What's Mine and Yours "A familiar exploration into the unease of early adulthood and the winding road to self-fulfillment."—Booklist Maggie is on the brink. Her MFA thesis—a vast canvas of twenty women suspended between life and death—is met with polite confusion, sending her into the throes of an obsessive work spiral. She’s ignoring calls from her frantic Turkish mother and drifting apart from her marriage-material boyfriend, Rob, who, lately, spends every waking moment at the office, including some suspiciously late nights. To make matters worse, her brother John (perfect, doctor) is dating Maggie’s art-world rival: a performance artist who constantly seems to be skyrocketing toward fame even after renouncing her name to be called simply “the Artist.” But it’s when Maggie’s ex reappears that her forced composure starts to slip. A smooth-talking art critic with power and charm, Rakib sees Maggie in a way that completely mystifies her. Then come whispers that her painting might be nominated for a grant that could launch her career. With deadlines looming, her relationship with Rob faltering, and her sense of self in flux, Maggie begins to question not just her art but the entire life she’s been trying to build. Set against the push and pull of immigrant family expectations, the competitive world of contemporary art, and the relentless uncertainty of one’s late twenties, Good News is a mordantly clever and emotionally resonant debut that will appeal to readers of Lily King, Sarah Thankam Mathews, and Coco Mellors. Contact Genay, at bookclubs@mcnallyjackson.com with any questions.
Broken Dishes Book Club with Swati
Have you ever watched a woman blow up her life, and thought, good for her? This is a book club for those who seek to disrupt notions of domestic bliss - we want batshit plots, women who don't settle, and eleventh hour plot twists. We want all this packaged into a very literary 300 pages or less. This book club will explore should-be and to-be classics by literary hotties of centuries past. Leave the dirty dishes at home and come indulge with us. This month we'll discuss Charmaine Craig's immersive and searing story of two women, their marriages, and the rivalry between them, My Nemesis. "Do you think there is more passion between lovers, or between nemeses? My Nemesis is about Tessa's affair with Charlie, and the even more powerful hatred she projects onto his wife, Wah. This is for anyone looking for more Challengers-esque drama, but this time between unhinged smart people in the art world."—Swati S., McNally Jackson Books Tessa is a successful writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar based in Los Angeles. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more--but there are obstacles to this burgeoning relationship. While Tessa's husband Milton enjoys Charlie's company on his visits to the East Coast, Charlie's wife Wah is a different case, and she proves to be both adversary and conundrum to Tessa. Wah's traditional femininity and subservience to her husband strike Tessa as weaknesses, and she scoffs at the sacrifices Wah makes as adoptive mother to a Burmese girl, Htet, once homeless on the streets of Kuala Lumpur. But Wah has a kind of power too, especially over Charlie, and the conflict between the two women leads to a martini-fueled declaration by Tessa that Wah is "an insult to womankind." As Tessa is forced to deal with the consequences of her outburst and considers how much she is limited by her own perceptions, she wonders if Wah is really as weak as she has seemed, or if she might have a different kind of strength altogether. Compassionate and thought-provoking, My Nemesis is a brilliant story of seduction, envy, and the ways we publicly define and privately deceive ourselves today. Contact Genay, at bookclubs@mcnallyjackson.com with any questions.