McNally Editions Book Club with Rebecca
Are you overwhelmed by the pressure to keep up with the continuous barrage of new book releases? Are you interested in reading beyond the margins of today’s contemporary literary discourse? Do you want to inject a bit of surprise and intrigue into your reading life? Our club is centered around books that have been largely forgotten, the reissued classics and rare finds that have slipped from the mainstream and are waiting to be discovered by a new set of readers. This month we'll discuss Manuel Puig's startling anatomy of a small town in thrall to its own petty lusts, betrayals, scandals, thefts, and gossip--but most of all, to the movies, Betrayed by Rita Hayworth, translated by Suzanne Jill Levine. "An intimate look at the maids, stifled housewives, and would-be gangsters living on the outskirts of Buenos Aires during the country’s period of political transformation from 1933 to 1948 . . . Luminous . . . A pop art classic."— Publishers Weekly "For many people—and certainly for Puig as a boy in small-town Argentina—the first and most absorbing form of storytelling is gossip: tales (almost always told by women) about romances and breakups, scandals and humiliations. There is an endless fascination in parsing other people’s lives, comparing them to ours, rendering judgment and imagining how our own lives might be judged. In Betrayed by Rita Hayworth, Puig captures the human inclination to peer and weigh and compare, while taking advantage of that same inclination in his readers . . . [It is] perhaps his most lyrical novel."— Natasha Wimmer When it appeared in 1968, Manuel Puig’s debut—a portrait of the artist as a child in small-town Argentina—was hailed as revolutionary. Borrowing from the language of "true romance" and movie magazines, the techniques of American modernism, and Hollywood montage, Puig created an exuberant queer aesthetic while also celebrating the secret lives of women. Hanging on the conversations of his mother, friends, and neighbors, Puig's stand-in Toto pieces together stories as full of passion, desire, and revenge as anything dreamed up for the silver screen. “A screamingly funny book, with scenes of such utter bathos that only a student of final reels such as Puig could possibly have verbally recreated for us” (Alexander Coleman, New York Times), it is also a bittersweet love letter to the golden age of Hollywood. Contact Genay, at bookclubs@mcnallyjackson.com with any questions.
